PhotoBook Journal Touches on The Female Gaze of HOLY

“Ferrato’s style is stark, open, guileless. … There is none of the technicolor seediness of Nan Goldin’s The Ballad of Sexual Dependency, the brooding menace of Larry Clark’s Tulsa or the subtle theatrical feminism evident in Cindy Sherman’s work. Let’s say more Sam Peckinpah than Hitchcock.”

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